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1998–2005

Elina Katara | In Twilight I | 2005 | ink on paper

Elina Katara | In Twilight II | 2005 | ink on paper

Elina Katara | In Twilight III | 2005 | ink on paper

Elina Katara | In Twilight III (detail) | 2005 | ink on paper

Elina Katara | Drifters | 2005 | ink on paper

Elina Katara | Drifters | 2005 | ink on paper

Elina Katara | Drifters | 2005 | pencil on paper

Elina Katara | Drifters | 2005 | pencil on paper

Elina Katara | Drifters | 2005 | pencil on paper

Elina Katara | Drifters | 2005 | ink on paper

Elina Katara | Drifters | 2005 | pencil on paper

Elina Katara | Drifters | 2005 | pencil on paper

Elina Katara | Drifters | 2005 | ink on paper

Elina Katara | Untitled | 2005 | pencil on paper

Elina Katara | Intruders | 2005 | water-colour and pencil on paper

Elina Katara | Intruders (detail) | 2005 | water-colour and pencil on paper

Elina Katara | Broken | 2005 | hair photograms

Elina Katara | Broken | 2005 | hair photogram

Elina Katara | Broken | 2005 | hair photogram

Elina Katara | Broken | 2005 | hair photogram

Elina Katara | I Never Promised You a Rose Garden | 2005 | ballpoint pen on official envelope

Elina Katara | I Never Promised You a Rose Garden | 2005 | ballpoint pen on official envelope

Elina Katara | I Never Promised You a Rose Garden | 2005 | ballpoint pen on official envelope

Elina Katara | I Never Promised You a Rose Garden | 2005 | ballpoint pen on official envelope

Elina Katara | I Never Promised You a Rose Garden | 2005 | ballpoint pen on official envelope

Elina Katara | Seizure | 2003 | ink on paper

Elina Katara | Overdose | 2003 | ink on paper

Elina Katara | News | 2003 | ink on paper

Elina Katara | Dream | 2003 | ink on paper

Elina Katara | Dream | 2003 | ink on paper

Elina Katara | Excreter | 2003 | ink on paper

Elina Katara | Dormant City | 2003 | oil pastel on paper

Elina Katara | Dormant City (detail) | 2003 | oil pastel on paper

Elina Katara | Garden | 2003 | ballpoint pen on paper

Elina Katara | Untitled | 2003 | ballpoint pen on paper

Elina Katara | Untitled (detail) | 2003 | ballpoint pen on paper

Elina Katara | Mapping | 2003 | pencil and watercolour on paper. The paper doll figures' front sides are white. On the back sides, there are drawings of map features and human internal anatomy.

Elina Katara | Mapping | 2003 | pencil and watercolour on paper. The paper doll figures' front sides are white. On the back sides, there are drawings of map features and human internal anatomy.

Elina Katara | Mapping | 2003 | pencil and watercolour on paper. The paper doll figures' front sides are white. On the back sides, there are drawings of map features and human internal anatomy.

Elina Katara | Mapping | 2003 | pencil and watercolour on paper. The paper doll figures' front sides are white. On the back sides, there are drawings of map features and human internal anatomy.

Elina Katara | Mapping (detail)| 2003 | pencil and watercolour on paper. The paper doll figures' front sides are white. On the back sides, there are drawings of map features and human internal anatomy.

Elina Katara | Open City | 2003 | paper, glue. Diary's pages have been transformed into buildings.

Elina Katara | Open City | 2003 | paper, glue. Diary's pages have been transformed into buildings

Elina Katara | Open City | 2003 | ink, newspaper's pages, glue. Newspaper's pages have been transformed into buildings

Elina Katara & Eija Hakkola | Island | 2002 | wood, string, string net, styrofoam, soil, fabric, weeds, birch trees

Elina Katara & Eija Hakkola | Island (building) | 2002 | Island was part of ArtGenda 2002 in Hamburg. In a project called Pontonpark the participating artists made proposals for floating objects situated in the canal area of Hamburg's harbour. Island was built out of materials found mostly from the surrounding areas. Styrofoam was collected from a building site nearby and placed in four big bags constructed of strong string net. On top of these joint "garbage bags" a wood and rope structure was built so that it would adjust to the movements of water. Fabric and soil was then placed onto this surface. The soil was shoveled from the banks of the canal. Tough weeds collected from the surrounding areas were planted on the island as well as two birch trees which had been brought along from Finland.

Elina Katara & Eija Hakkola | Island | 2002 | wood, string, string net, styrofoam, soil, fabric, weeds, birch trees

Elina Katara & Eija Hakkola | Night-time Cinema | 2002 | red curtains, video projection on a display window. Night-time Cinema could be viewed only from the street outside the gallery. It was a show for sleepless wanderers who happened to pass by. During daytime the window was covered with a red curtain. At nights the curtain was open and the cinema in operation. On the white screen one could see shadows of two hands rapidly painting constantly changing dream visions. Once an image was ready, the hands wiped the surface and started a new image on top of the remains of the old-one. The cinema was a combination of painting, animation and shadow-theatre.

Elina Katara & Eija Hakkola | Night-time Cinema (night view) | 2002 | red curtains, video projection on a display window

Elina Katara & Eija Hakkola | Night-time Cinema (detail) | 2002 | video projection on a display window

Elina Katara & Eija Hakkola | Night-time Cinema (video stills) | 2002 | video projection on a display window

Elina Katara & Tamares Goh | Salt Coats | 2001 | salt, water, iron cymbals, glass tank, copper pipes. The installation situated in a black, round cellar space. Glass tank was filled with strong salt water. Water ran through thin copper pipes forming varying rhythms as the drops hit the iron cymbals. Since water was saturated with salt, iron soon became rusty. The exhibition space was filled with fluctuating rhythm and smell of rust.

Elina Katara & Tamares Goh | Salt Coats | 2001 | salt, water, iron cymbals, glass tank, copper pipes. The installation situated in a black, round cellar space. Glass tank was filled with strong salt water. Water ran through thin copper pipes forming varying rhythms as the drops hit the iron cymbals. Since water was saturated with salt, iron soon became rusty. The exhibition space was filled with fluctuating rhythm and smell of rust.

Elina Katara & Tamares Goh | Salt Coats (detail) | 2001 | salt, water, iron cymbals, glass tank, copper pipes

Elina Katara | Swinging (video still image) | 2001 | video, duration: 20 minutes. In the video a person is swinging continuously from dawn till dusk in different weather conditions.

Elina Katara | Swinging (video still images) | 2001 | video, duration: 20 minutes. In the video a person is swinging continuously from dawn till dusk in different weather conditions.

Elina Katara & Sanna-Mari Pirkola | Hands | 1998 | video projection on a table, white table cloth, two chairs. Viewers can sit at the table and watch animated video episodes projected onto the surface of a white table cloth. Hands appear in the video and surreal, dream-like things begin to happen.

Elina Katara & Sanna-Mari Pirkola | Hands (video still images) | 1998 | video projection on a table, white table cloth, two chairs. Viewers can sit at the table and watch animated video episodes projected onto the surface of a white table cloth. Hands appear in the video and surreal, dream-like things begin to happen.

Elina Katara & Sanna-Mari Pirkola | Hands (video still images) | 1998 | video projection on a table, white table cloth, two chairs. Viewers can sit at the table and watch animated video episodes projected onto the surface of a white table cloth. Hands appear in the video and surreal, dream-like things begin to happen.

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